This pictorial series, resolved through large-format drawings in acrylic, pivots around the concept of nausea, capturing fleeting moments of yellow light.
This motif, referenced in Sartre’s eponymous work, is embodied through a set of insights framed within the context of an operating room. In this oppressive environment, the notion of ‘cura’ is brought into dialogue—a term that oscillates between its significance as healing and the figure of a Catholic priest, questioning a potential common denominator between these poles: something undefined, yet inextricably tied to fear and its embodiment.
